The Hyper-Masculine Incoherency of Batman V Superman: Dawn of Justice

Batman v Superman: Dawn of Justice is neither the hero the superhero genre deserves nor the villain it dreads. This is a film about two superheroes waging war with one another that’s similarly at war with itself, riven between competing narratives, commercial concerns and an overarching ambition that sees it striving for meaning before collapsing…

Freeheld (2015)

Freeheld is an uneven drama that frequently veers from tragedy to drudgery. Which is a shame, since its true story – of homosexual policewoman, Laurel Hester – is both fascinating and vital. Arriving hot on the heels of the legalisation of same-sex marriage in the US, this otherwise unremarkable film represents a missed opportunity. The film chronicles cancer-stricken Hester’s (Julianne Moore) fight…

Leonardo DiCaprio and Kate Winslet in Revolutionary Road (2008)

Revolutionary Road (2008)

I don’t like to read books before watching their cinematic adaptations, because I tend to come down more harshly on the film due to the baggage of expectations. Such is the case with Sam Mendes’ interpretation of Richard Yates’ Revolutionary Road. The strength of novel is that its critique of fifties suburbia is elevated by…

Premium Rush (2012)

Premium Rush is a high-octane thrill ride, a white-knuckle rush of a film. There’s technically a plot, revealed in smatterings of flashbacks, but it’s essentially a barebones excuse to fill the film with exhilarating bicycle races. One of my (and apparently everyone’s) favourite actors at the moment, Joseph Gordon-Levitt, plays Wilee (like the Coyote), an…