Ant-Man and the Wasp (2018)
I suppose it was inevitable. At some point, there was going to be a misfire in Marvel Studios’ Phase Three. Just as it wraps up, here it is: Ant-Man and the Wasp.
I suppose it was inevitable. At some point, there was going to be a misfire in Marvel Studios’ Phase Three. Just as it wraps up, here it is: Ant-Man and the Wasp.
There’s a gulf of difference between the trailers for Collateral Beauty and Passengers and the films themselves…or is there?
Three-and-a-half decades ago, Alien established Ridley Scott as a director to watch. Drawing on the conventions of the increasingly-popular slasher film and rejecting the Star-Trek-esque optimism of the sci-fi films of that era, he created a chilling classic. But his potential as a director has dribbled away somewhat in the years since; while I don’t…
There are lots of reasons to like Ant-Man. You’ve got the sparkling comic chemistry of Paul Rudd and Michael Peña (Evangeline Lilly’s there too). There’s a zippy Michael Douglas/John Slattery/Hayley Atwell prologue that makes you long for an MCU film set in the ‘80s. Minus a misjudged training sequence, the film’s bouncy heist framework is…
A dark rider atop a white horse, a figure of nobility, mounts the horizon over an endless expanse of rutted mud. The horse trots into a landscape of wreckage and the rider – a Nazi officer, we now see – is knocked from his steed by a hitherto unseen assailant. The officer’s fate is swift…