Gears, Pedals and the Male Ego: The Machinations of Ford v Ferrari
Though well-intended, Ford v Ferrari’s insistence on old-fashioned filmmaking means it trades any insights for entertainment.
Though well-intended, Ford v Ferrari’s insistence on old-fashioned filmmaking means it trades any insights for entertainment.
George Clooney, a regular Coens collaborator, knows the notes but he can’t master the music with his latest film, Suburbicon.
Jason Bourne is back! Bourne again. Re-Bourne. Bourne to be wild – again! Okay, I’ll stop.
Three-and-a-half decades ago, Alien established Ridley Scott as a director to watch. Drawing on the conventions of the increasingly-popular slasher film and rejecting the Star-Trek-esque optimism of the sci-fi films of that era, he created a chilling classic. But his potential as a director has dribbled away somewhat in the years since; while I don’t…
Margaret, the long-delayed second film from Kenneth Lonergan, expends great effort to feel as real as possible throughout its achingly long three hour running time (I watched the Extended Cut – the Theatrical is “only” 2.5 hours). As the camera gently moves through scenes, the audio often picks up snatches of unrelated conversation, obfuscating the…