Chappaquiddick (2017)
Chappaquiddick is a contemporary example of how superb filmmaking can elevate middling screenplays.
BQFF Roundup: The Misandrists; Witches, Faggots, Dykes & Poofters; and My Days of Mercy
We’re past halfway through the 2018 Brisbane Queer Film Festival, and so far I’ve been lucky enough to see three films from the program – one disappointing, one decent, one exceptional.
The Martian is the Anti-Alien – an Optimistic Paean to Science and Nerddom
Three-and-a-half decades ago, Alien established Ridley Scott as a director to watch. Drawing on the conventions of the increasingly-popular slasher film and rejecting the Star-Trek-esque optimism of the sci-fi films of that era, he created a chilling classic. But his potential as a director has dribbled away somewhat in the years since; while I don’t…
Transcendence (2014)
As we were dutifully informed before the preview screening of Transcendence, Wally Pfister not only shot this movie on film, but he also developed the film photochemically rather than digitally. This isn’t surprising for Pfister, acolyte of fervent film fetishist Christopher Nolan, but it is reflective of this cinematographer-turned-director’s old-fashioned approach to the material. Old-fashioned…
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