Boy Erased (2018)
Boy Erased avoids the bombast and dramatisation that might be expected from its subject matter, instead opting for modest authenticity.
Boy Erased avoids the bombast and dramatisation that might be expected from its subject matter, instead opting for modest authenticity.
I’m not here to acclaim Red Sparrow as some misunderstood masterpiece. It’s not. Nor is it the disaster its detractors declaim it as.
It Comes at Night unnerves its audience through its destabilising insistence on avoiding explanation.
Thanks to Roadshow Films Australia, ccpopculture has 5 double passes to give away to It Comes at Night, releasing in Australian cinemas Thursday July 6th.
It’s pretty hard to go about making a film about Whitey Bulger, because how do you make it not like every other sub-Scorsese, heated-up-bullshit gangster movie? All the basic elements of the Whitey Bulger story – corrupt feds, brother on the other side of the law, paranoiac crime lord – are well-worn clichés in the…
The Gift opens on ominous shots of an abandoned, modernist mansion, grey stone and brown wood gleaming dully in the afternoon L.A. sun. Soon, Simon (Jason Bateman) and Robyn (Rebecca Hall), a professional couple from Chicago, will be escorted through the hollow house by a real estate agent. But for now it lies dormant, the…
Australian cop flick Felony opens with a perfunctory action scene – the only scene in the film that fits that description. Detective Malcolm Toohey (Joel Edgerton, star and screenwriter) gives chase to a crim fleeing the scene, and earns a deposit of lead in his bulletproof vest for his trouble. Struggling to his feet, he…
If you watched the trailer above for Zero Dark Thirty, you’d be forgiven for thinking it was a cinematic Call of Duty, a jingoistic portrayal of the war on terrorism, an action film where Bert Macklin, Drazic and Joel Edgerton kill Osama Bin Laden. Certainly, the last hour of the film is a tense, cavernous…