Stuber: Nanjiani Makes this Rideshare Buddy Cop Comedy’s Flaws Easy to Forgive
There’s a gem of a great idea at the heart of Stuber. Specifically, shoving Kumail Nanjiani in the midst of an ‘80s buddy cop film.
There’s a gem of a great idea at the heart of Stuber. Specifically, shoving Kumail Nanjiani in the midst of an ‘80s buddy cop film.
In my review of 2011’s The Raid: Redemption, I discussed its opening shot, a close-up on a gun and watch, heralded the film’s violence and clockwork tautness. Gareth Evans’ sequel to his modern action classic opens on a long shot of a field of crops, grey-tinged by a sullen sky and lacerated by paths twisting…
Gareth Evans’ Indonesian action movie The Raid: Redemption (original title Serbuan maut) opens on a static shot of a wristwatch and a gun. It’s an important opening shot because it tells us two things about the film: it’s going to be precise, and it’s going to be violent. The Raid, as you’d expected, revolves around…