Watching David O. Russell’s Joy is akin to watching his career: abundant potential dribbling sadly away. The first half hour or so of the film, a biopic of Joy Mangano, Miracle Mop inventor (Jennifer Lawrence), takes the kind of stuff usually brushed over in these films – the anxieties of running household, familial tensions, financial…
Mistress America is Noah Baumbach’s second feature for 2015, and by far the strongest. His first effort, While We’re Young, parlayed an unconvincing generational-gap comedy into a weirdly-shoehorned meditation on authenticity in documentaries; Mistress America, thankfully, proves to be both a funnier comedy and a more insightful analysis of the blurred line between artificiality and…
The artistry of kung fu is found in its discreteness and in its completeness. Most martial arts are composed of distinct movements; thrusts, jabs and parries akin to the bars of a musical composition or the paragraphs of a novel. The fluid fabrication found in these movements coheres into a kind of violent beauty: their…
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