The Invisible Man is a showcase for its writer-director’s obvious love and talent for genre cinema.
Stanley’s film eschews familiar threats for something indefinable.
The ideas are all there, but they’re wrapped up in a clumsily-configured storyline let down by its clichéd characterisations.
3 From Hell is that it doesn’t really have a substantial enough idea to justify returning to a decade-old franchise.
There’s nothing especially original about neo-slasher The Furies, but its purity sets it apart.
Halloween is only days away, and what better way to celebrate the occasion with a bevy of horror films at this year’s iteration of Monster Fest?
Horror comedies are hard. Ready or Not proves they don’t have to be.