Gummo is an imperfect curio, an interesting failure. Harmony Korine’s directorial debut attempts to convey a sense of hollow malaise in a poverty-stricken town while conjuring bizarre imagery that’s disturbing or fascinating – often both. There are frequent demonstrations of Korine’s abundant ability: it’s not hard to draw a line between a scrawny adolescent lifting…
Spring Breakers is a fluorescent dream, an elusive ode to excess. Korine’s film is gorgeously ugly, illuminating the worst of human behaviour in swathes of hypercolour; neon bikinis pulsing in streaky, candy-coloured lights. Spring break is an escape, an emblem of the modern American dream – not to work hard for success, but the aspiration…
Kids is one of those films more interested in realism than creating a traditional three-act narrative. Its running time is spent following a crew of ratty teenagers who spend their time doing drugs, having sex or trying to do either. The film exudes a grotty verisimilitude; the dialogue may be rambling and inarticulate, but true…
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