The Family-Friendly Films of the ‘80s Are Alive in Bumblebee
Bumblebee eschews the Escherian excess and all-out warfare of Michael Bay’s films for clean compositions and comparative spatial clarity.
Bumblebee eschews the Escherian excess and all-out warfare of Michael Bay’s films for clean compositions and comparative spatial clarity.
Teen self-sabotage: don’t do it. (Do go see The Edge of Seventeen, though. It’s great.)
If we’re lucky, we begin our lives in a community of warmth and acceptance, a family where our status as loved goes unquestioned. But as we age into adolescence, that haven is inevitably breached by doubt and distrust, as we begin to question our position in the world. Those questions are exacerbated when you’re an…
Cormac McCarthy had no hand in the production of The Homesman, but his shadow stretches long over Tommy Lee Jones’ neo-Western. The spare landscape, lensed with wintery clarity by Rodrigo Pietro, embodies the harsh tone of the author’s prose while also allowing for the glimpses of poetry that pervade his writing. The setting is, of…
There are two Pitch Perfects in Pitch Perfect 2. The first Pitch Perfect is pretty much the Pitch Perfect you’d expect – the first one all over again. This Pitch Perfect takes the Ghostbusters approach to sequels, by repeating all the same beats and bits note for note. All female a capella group the Barden…