Godzilla II: King of the Monsters is a Disastrous Failure
This is a film about mega-monsters wreaking havoc at a catastrophic scale, but there’s no weight to this thing; it’s limp and incoherent.
This is a film about mega-monsters wreaking havoc at a catastrophic scale, but there’s no weight to this thing; it’s limp and incoherent.
Rogue One resists the mythic fairytale storytelling of its forebears while needing that same myth to justify its existence.
Dawn of the Planet of the Apes rejects the modern blockbuster’s inclination towards weightlessness; for a film about super-intelligent monkeys, this is a surprisingly heavy picture. While its predecessor, Rise of the Planet of the Apes (Rupert Wyatt, 2011), half-heartedly feinted at social resonance before shrugging and descending into frivolity, Dawn unapologetically bears the burden…
Godzilla is an anti-blockbuster, repurposing and reinventing the grammar of big budget disaster films to produce a film that is aesthetically and ideologically compelling, if inconsistently entertaining. A dense evocation of the tragic scale of environmental and nuclear cataclysms, the film’s steadfast refusal to focus on its human characters, instead contemplating global devastation, is hardly…