Victoria and Abdul (2017)
Victoria and Abdul shoves what sounds like a truly extraordinary moment in history into a biopic-shaped box and sands away any sharp edges
Victoria and Abdul shoves what sounds like a truly extraordinary moment in history into a biopic-shaped box and sands away any sharp edges
As befitting the blood pact all movie bloggers must sign upon founding their website, what follows is a list of my favourite films of 2015. It’s been a strong year at the cinema, even if I felt it was a slight step down from last year (specifically, I didn’t see a single new film I…
Night Moves mostly slipped under the radar in 2014. Despite the presence of Jesse Eisenberg, Dakota Fanning and Peter Sarsgaard and a marketable premise – an ecoterrorism procedural – it attracted little buzz and didn’t even receive a proper release in Brisbane (though I should acknowledge that the always-excellent Schonell Theatre screened it sometime after…
In many respects, film criticism is about finding an intellectual justification for an emotional response. Take Whiplash, for example, one of my favourite films of last year. I saw the film twice, and each time was overcome by a visceral, physical response; but to simply record that response as a review felt somehow inadequate. Instead,…
The last time I wrote about the Brisbane Asia Pacific Film Festival, my attitude was one of scepticism. And, I’ll concede, a modicum of bitterness. You see, the birth of BAPFF meant the death of BIFF (the Brisbane International Film Festival), the latter cut down in its prime (at twenty-one years old!) to pave…