The Past is Unwrapped in Joel Edgerton’s The Gift

The Gift opens on ominous shots of an abandoned, modernist mansion, grey stone and brown wood gleaming dully in the afternoon L.A. sun. Soon, Simon (Jason Bateman) and Robyn (Rebecca Hall), a professional couple from Chicago, will be escorted through the hollow house by a real estate agent. But for now it lies dormant, the…

Joan of Arc: The Messenger (1999)

It’s probably impossible to make a film about Joan of Arc without at least acknowledging the long shadow cast by Dreyer’s The Passion of Joan of Arc. Luc Besson’s 1999 interpretation steers into that skid; like Dreyer’s film, significant chunks of Joan of Arc: The Messenger are filmed in close-up, but the lens of choice…

Creep (2014)

Creep isn’t so much a movie as a goof, an 82 minute micro-budget riff on Mark Duplass’s inflated New Age persona (as in seen in the likes of The Mindy Project). Despite assuming a found-footage horror genre, the film isn’t especially scary or suspenseful; despite the title, Duplass’ character, “Joseph”, isn’t so much pathologically creepy…

Aguirre, the Wrath of God (1972)

The Andes are thick with fog, its white all-encompassing tendrils consuming the conquistadors descending into its depths. Even as it clears, revealing the pale blue sky above a mottled green canopy and rotten brown rivers, the atmosphere of portentous doom remains. Only Aguirre, “the wrath of God” (Klaus Kinski) seems immune to the heavy weight…

Far From Men (2014)

David Oelhoffen’s adaptation of The Guest, a short story by Albert Camus, expands the story’s scope beyond Camus’ single schoolroom setting to the desolate wilderness of the Algerian steppes. French film Far From Men fleshes out its source’s narrative by adopting Western tropes like tense standoffs erupting into gunfire while retaining its stark moral conflict.…

Queensland Film Festival 2015 and Brisbane Film Culture

What is the purpose of an international film festival? This is a tricky question, with many answers. It’s a question I’m not particularly qualified to answer, either, but as I see it, the primary responsibility of a film festival is to provide an opportunity for cinephiles to see films that they otherwise might not –…