xXx: Return of Xander Cage (2017)
A xXx movie doesn’t make a whole lot of sense in 2017, but maybe it doesn’t need to.
Giveaway: Win Double Passes to Split [COMPLETED]
Thanks to Universal Pictures Australia, ccpopculture has 10 double passes to give away to Split, releasing in Australian cinemas Thursday January 26th.
Portman and Larraín Interrogate the Myth of ‘Camelot’ in Jackie
Good or bad, biopics are a form of public relations: a way of reinforcing, challenging or establishing the public perception of their subject. Jackie is a biopic about how those PR decisions are made.
The Edge of Seventeen (2016)
Teen self-sabotage: don’t do it. (Do go see The Edge of Seventeen, though. It’s great.)
City of Stars: La La Land’s Exhilarating Exploration of Art & Love
A soaring Hollywood fantasy about art, romance and nostalgia.
Assassin’s Creed (2016)
Assassin’s Creed is a disaster: a morass of muddled imagery, incoherent plotting and dreadful screenwriting.
Old Glamour And Sad Pitt: Is ‘Allied’ Worth Its Own Hype?
Situated somewhere between Mr and Mrs Smith and Casablanca, Allied makes for engaging, old-fashioned entertainment.
The Boy and the Beast (2015)
On the surface, The Boy and the Beast has much in common with director Mamoru Hosoda’s previous film, Wolf Children.
Romance and Racism in A United Kingdom
A United Kingdom’s romance is a Trojan horse to disguise an interrogation of the economic and political underpinning that proliferates racism.
Always Shine (2016)
Sophia Takal’s Always Shine opens with one of the best sequences of the year.
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