Don’t Tell: A Well-Made Courtroom Drama Lacking Cohesion
Don’t Tell is an excellent film with major flaws, undone by its own lack of focus.
Don’t Tell is an excellent film with major flaws, undone by its own lack of focus.
Ridley Scott uses all the black goop and snarling xenomorphs to stage an earnest, ambitious attempt to grapple with big ideas.
Things to Come is grounded in the personal, but it’s also deeply invested in the philosophical and the political.
Introducing Hounds of Love, Stephen Curry began with an apology. “I apologise in advance if anyone expected The Castle.”
Paterson is a tone poem, capturing the sedate rhythms of everyday life.
Guardians of the Galaxy Vol. 2 is everything its predecessor should have been. That doesn’t make it a masterpiece, but it’s pretty fun.
On the 20th anniversary of The Castle, I dismantled the beloved Australian film for SBS Movies.
I wish Sunset Song, Terence Davies’ adaptation of the 1930s novel of the same name, meant as much to me as it clearly did to the director.
Berlin Syndrome is a bad film with the spectral outline of a better film around it.
A film about powerful women and our fear of them. Also, gigantic city-destroying monsters.