Check in to Bad Times at the El Royale for a Good Time at the Movies
Bad Times at the El Royale is the sort of film that’s not supposed to get made anymore: a straight-up genre flick boasting a sizeable budget and A-list stars.
Bad Times at the El Royale is the sort of film that’s not supposed to get made anymore: a straight-up genre flick boasting a sizeable budget and A-list stars.
It’s safe to say that a new Damien Chazelle feature is going to be one of my most anticipated films of the year. Unfortunately, First Man falls short of perfect.
Venom’s small-scale idiosyncrasies will surely disappoint comic book fans …but if you’re looking for a goofy film that recalls trashy genre films from the ‘80s, you’re in luck.
Mary and the Witch’s Flower has a comforting familiarity, as though recalling the feeling of rewatching your favourite Ghibli film for the umpteenth time.
You could forgive Night School’s clichéd, uneven storytelling had it boasted even a couple good jokes …but no.
Despite In the Fade (effectively) manipulating an emotional response in its audience, it has nothing of substance behind its thin thrills.
Taken as a whole, Bombshell is a portrait of how great women like Hedy Lamarr are dragged down by male mediocrity.
There’s much to recommend The Miseducation of Cameron Post, but on the whole it feels too dramatically inert.
A Simple Favour is a self-aware, genuinely funny spin on the overheated airport novel genre.
Shane Black’s sequel to Predator feels like it’s been made within a few years of its predecessor, not over three decades later.