Tokyo Ghoul: Visceral Queerness and Radical Vampirism
On anime, vampires, and the physicality of transgressive queerness (except, maybe, not).
On anime, vampires, and the physicality of transgressive queerness (except, maybe, not).
Shadow of the Vampire is a film of many genres. These include… …a historical revisionist re-telling of the filming of F. W. Murnau’s Nosferatu, with John Malkovich playing “Herr Doktor” Murnau; Eddie Izzard playing Gustav von Wangenheim who plays Thomas Hutter; and Willem Dafoe playing a vampire who takes on the role of Max Schreck…
Where have all the superhero origin stories gone? Turns out they’ve transformed – in this case into a cloud of bats titled Dracula Untold. Like Noah, Maleficent and Hercules before him, Count Dracula gets the origin story treatment, hewing closer than ever to the ever-popular superhero genre. The armour worn by Vlad (Luke Evans) –…
“[Nosferatu] is not a political figure, not even in the allegorical way in which the diabolical Dr. Caligari can be seen to represent oppressive political authority. Rather, he is both the agent and the icon of death, the natural cause and the supernatural symbol, metonymy combined with metaphor, at once elemental and unearthly.” – Gilberto…
Both Tod Browning and Francis Ford Coppola’s interpretations of Dracula hone in on the heart of the vampiric myth – the commingled fear and allure of eroticism – while reflecting the norms of their time. Browning’s film is mostly remembered for Bela Lugosi’s undeniably iconic (yet profoundly overrated) performance, but there’s surprising little substance to…