Suspiria (2018)
My issue with Suspiria is that it’s neither thrilling, nor scary, nor fun.
My issue with Suspiria is that it’s neither thrilling, nor scary, nor fun.
“Gothic, Giallo, Gore: Masters of Italian Horror” centres primarily around three directors with a legitimate claim to the title of master: Dario Argento, Mario Bava and Lucio Fulci.
We’re so pretty, oh so pretty … vacant.
The main point of comparison for most people reviewing It Follows is Halloween. Undeniably, David Robert Mitchell’s debut feature, an insidious, diamond-sharp indie horror flick, draws heavily from John Carpenter’s classic. That’s apparent from its opening frame, an image of an American suburban street whose expansive front lawns carpeted by auburn autumn leaves could be…
The challenge of the Nightmare on Elm Street films is that they need to create fear in an environment where the normal rules don’t apply, which makes scares that would be shocking in a realistic context less effective. The second sequel answers this challenge by not trying to be a horror film; it’s more of…