If Iranian cinema has a home, it’s the automobile. Like Abbas Kiarostami’s Taste of Cherry and Ten, Jafar Panahi’s Tehran Taxi, Rakhshan Bani-Etemad’s Tales, Ali Ahmadzade’s Atomic Heart is a road movie without any particular destination in mind, drifting idly through Tehran’s twilight streets, through conversations about atomic mothers and dormant dictators. But where those…
Have you ever struck out on a date because of a careless word or a clumsy gesture? Writer-director, Hong Sang-soo, ponders this quandary in Right Now, Wrong Then, a romantic-drama that plays out like a low-key Groundhog Day. The film benefits from strong performances in the lead roles and, despite some ponderous pacing, the central…
I had a melodramatic couple of days at the Brisbane Asia Pacific Film Festival. Starting with Michael Rowe’s Canadian/Australian drama Early Winter, through Simon Stone’s The Daughter and concluding with a retrospective screening of Mikio Naruse’s classic Floating Clouds, my weekend was dominated by the infidelities and dark secrets that define the much-maligned genre of…
Intellectually and artistically, Tehran Taxi is intimidatingly dense. The third in a very loose trilogy from Jahar Panahi – following the Iranian director’s twenty-year ban from filmmaking in 2010 – we spend the entirety of the film in Panahi’s taxi, observing his passenger’s conversations about cinema, censorship and justice through a handful of digital cameras…
The Brisbane Asia Pacific Film Festival (BAPFF) hits Brisbane tomorrow night, and any self-respecting cinephile has plenty to look forward to at the sophomore appearance of Brisbane’s annual, Asia-Pacific-centric replacement for the dearly departed BIFF. We’ll be covering the festival over the next two weeks – and you can expect to see more coverage from…
The Brisbane Asia Pacific Film Festival – or, if you prefer, BAPFF, announced with the vigour of a 1960s Batman sound effect – is fast approaching, with the full program announcement arriving in less than two weeks (on the 28th of October) and the festival proper kicking off on the 19th of November. For those…
Andrei Konchalovksy’s The Postman’s White Nights consciously blurs the line between documentary and fiction, with an introductory title card noting that the characters are primarily played by residents of the rural community of Lake Kenozero. This presumably positions the film as commentary on contemporary Russia. It sort of is; the film’s strongest stretch is its…
Introducing the Queensland premiere of his latest film – from a career that stretches over more than 20 features – Paul Cox began by thanking his anonymous donor. Force of Destiny, you see, is inspired by Cox’s own experience with liver cancer and a last-minute, live-saving liver transplant, which might be why David Stratton described it…
When introducing the 2014 Brisbane Asia Pacific Festival, my largely optimistic take briefly pondered “will anyone actually turn up?” before concluding, basically, “who cares.” Fast-forward a year or so later and I have to adjust that answer slightly; as I noted in my Queensland Film Festival piece argued that “sometimes, the atmosphere of the film…
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