The Danish Girl (2015)

Tom Hooper might’ve made a great painter. Like the protagonists of his latest film, Lili Elbe (Eddie Redmayne) and Gerda Wegener (Alicia Vikander), he has an eye for colour and composition that produces some memorable images. But cinema is about more than striking individual images; it’s about, among many other things, how images combine and…

In the Heart of the Sea (2015)

I really wanted to like this film. Alas, Ron Howard (usually ‘Mr Dependable’ in the director’s chair) has guided this big-budget seafaring adventure straight onto the reef. In the Heart of the Sea is ambitious but fails to develop its own identity, instead playing out like a highlight reel from better movies. The film is based on…

The Weight of a Basketball: The Lobster and the Tyranny of Social Conformity

Successful speculative fiction is essentially sociology. It’s grounded not in the details of the alternate reality it concocts, but in investigating how societies and individuals would react to different structures and opportunities. The best speculative fiction isn’t inspired by spaceships or wizardry; rather, it’s impelled by an overriding interest in human nature – a considered,…

Lilting (2014)

Lilting (2014)

Lilting is a sensory experience. Describing a film in this way typically refers to the two expected senses: sight and sound. Hong Khaou’s debut feature film evokes scent; given all the references to smell, I don’t think it’s accidental. It has the delicate odour of clean skin, that sickly sweet smell of warm milk. The…

Timothy Spall in Mr Turner (2014)

British Film Festival 2014

November last year introduced the inaugural British Film Festival, a breath of fresh air in an increasingly stale slate of nation-centric film festivals. It’s not that I don’t have a lot of respect for local festivals like the Italian, Israeli, French etc festivals – I only saw one of my favourite films of the year…