The Man (2017)
The aching, vacant tone that director Charlotte Sieling adopts here feels like a distant echo of Buñuel’s satire.
The aching, vacant tone that director Charlotte Sieling adopts here feels like a distant echo of Buñuel’s satire.
You probably heard about Banksy’s New York “residency” a year-and-a-half ago. An unassuming old man selling Banksy stencils – worth tens of thousands dollars at least – for a few bucks on the side of the street. The story about the locals charging people to view his graffito. “The response to it would be part…