The Revenant Pairs Physical Brutality with Moral Simplicity

Alejandro González Iñárritu’s The Revenant sets out to chart the farthest frontiers of humanity, stranding Leonardo DiCaprio’s bearded, badly-wounded protagonist in the wintery American wilderness and closely observing his desperate quest for survival …and revenge. When The Revenant focuses on the minutiae of survival in the wild – from cauterizing one’s wounds with burning grass…

Aguirre, the Wrath of God (1972)

The Andes are thick with fog, its white all-encompassing tendrils consuming the conquistadors descending into its depths. Even as it clears, revealing the pale blue sky above a mottled green canopy and rotten brown rivers, the atmosphere of portentous doom remains. Only Aguirre, “the wrath of God” (Klaus Kinski) seems immune to the heavy weight…

Sorcerer

Sorcerer (1977)

Within the rusted, mud-splattered framework of William Friedkin’s Sorcerer is a distillation of 1970s American cinema. It has the bruised masculinity of Taxi Driver, the abiding pessimism of Chinatown and the nightmarish madness that would send Coppola deep into the jungles of the Philippines for Apocalypse Now. It’s fitting that its release would be eclipsed…