Full-Fledged Fanservice: To Love-Ru Darkness 2nd
The fourth season of To Love-Ru takes fanservice to the extreme.
The fourth season of To Love-Ru takes fanservice to the extreme.
On the surface, The Boy and the Beast has much in common with director Mamoru Hosoda’s previous film, Wolf Children.
Sailor Moon R is a complex representation of teenage coming-of-age, satirising and celebrating the solipsistic tendencies of youth.
A consistently excellent show celebrates one of its strongest seasons by exploiting the diverse storytelling enabled by rich world-building.
Moana wraps a Polynesian folk tale around a charming children’s film, populated with animal sidekicks and musical numbers. When these two threads are woven together well, the film sings like Disney’s best.
Steven Universe is more than an expression of identity politics – it’s a damn good show.
On anime, vampires, and the physicality of transgressive queerness (except, maybe, not).
During my childhood, I well and truly slept on Samurai Pizza Cats. I imagined to be just another half-assed Teenage Mutant Ninja Turtles clone and paid it no mind. Bad luck, teen me; that’s hours of weekday afternoons I was missing out.
If you can stomach Sausage Party’s dire string of lazy racial caricatures and innuendo for an hour, the final sausage in the chain is pretty tasty.
Maken-ki!’s second season is densely packed with boobs, innuendo and more boobs. It’s trashy, but it’s a whole lot of fun.