Mystery Road does, as the title suggests, concern a mystery of sorts. An indigenous teenage girl is found murdered on the outskirts of an outback Aussie town, and Detective Jay Swan (Aaron Pedersen, fantastic) investigates. His inquiries turn over dusty rocks, disturbing the dark creatures from their hiding places. In spirit of noirs like Chinatown…
I’ll give Ja’mie: Private School Girl this: it certainly ends strongly. The final episode of this six episode (mini?) series is its strongest of the lot, and it does so by embracing broader comedy rather than adopting Lilley’s usual approach to wrapping up a series (specifically, evoking emotions, which is powerful when done well –…
Despite the fact that Ja’mie: Private School Girl finds Chris Lilley returning to a character he’s played not once, but twice before, the series is a risk for the comedian. Each of his previous series have been thematically distinct but shared a common narrative structure, splitting their time with roughly half-a-dozen characters (all played by…
The fourth episode of Ja’mie has the same problem I spoke about last episode in that there’s a continued reluctance to provide any kind of substantial characterisation to any non-Ja’mie characters. It’s telling that her romance with Mitchell has been relegated to descriptions of text messages/Facebook statuses and the occasional wordless montage; if I’m being…
One of the things that has always elevated Chris Lilley’s satire is his refusal to mock his characters in character. Sure, his bit is mostly about pointing out the ridiculousness of a given type, but while you’re supposed to laugh at Ja’mie, Lilley takes her very seriously. Ja’mie: Private School Girl takes this a step…
Tonight’s episode of Ja’mie: Private School Girl has to shoulder the burden of being a second episode, moving the plot along while ensuring viewers who missed the pilot won’t miss any key details. It does a decent job, but it’s a step down from the premiere, spending a lot of its time laying out what…
Chris Lilley’s latest series sees him take on the role of Jamie – sorry, Ja’mie – King (she added the apostrophe in Grade Eight). Ja’mie first appeared in Lilley’s outstanding We Can Be Heroes, but anyone outside Australia might be unfamiliar with Lilley’s early work and a little puzzled at the notion of a thirty-nine…
Sam Simmons’ new show, Problems, is Australia’s answer to Louie. Like Louie, Problems is a window into its creator’s psyche: meaning that the show is absurd, hilarious and fundamentally good-natured. It touches on Simmons’ love of “shitty trivia” and is weirdly obsessed with food (Episode one revolves around tacos while episode two features a sex…
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