Rampage: More Rampaging and Fewer Jokes Than You Might Expect
Watching Rampage, I came to two realisations.
One: I haven’t really liked a Dwayne Johnson movie for years.
Two: His movies all have the same problem. They’re not funny enough.
Watching Rampage, I came to two realisations.
One: I haven’t really liked a Dwayne Johnson movie for years.
Two: His movies all have the same problem. They’re not funny enough.
This is primarily a transparent pitch for Chinese audiences, right down to niche jokes about the pronunciation of Mandarin.
The Forgiven’s thematic simplicity is a strike against it, but my primary complaint is a narrative one: the film simply fails to hold your attention.
The Butterfly Tree is the latest Australian film to fall into the uneasy no-man’s-land between ‘art film’ and ‘adult drama’.
Five films in, what does the DC Extended Universe represent?
George Clooney, a regular Coens collaborator, knows the notes but he can’t master the music with his latest film, Suburbicon.
Kingsman: The Golden Circle has as much unapologetic stupidity and unabashed absurdity as its predecessor … but, sadly, it’s an order of magnitude less fun.
Victoria and Abdul shoves what sounds like a truly extraordinary moment in history into a biopic-shaped box and sands away any sharp edges
Despite adopting a naturalistic aesthetic, Finnish coming-of-age film Little Wing never feels anything but inauthentic.
Either Baywatch or Dead Men Tell No Tales could have been good – well, passable – with screenplays content to be plain ol’ mediocre.