Berlin, I Love You (2019)

Berlin, I Love You is the latest in a series of city-centric anthologies, following 2006’s Paris, je t’aime and 2008’s New York, I Love You.

Glass Tries – and Fails – to Make a Case for an M. Night Cinematic Universe

A standard superhero showdown isn’t what Shyamalan has in mind for Glass.

There’s no question Holmes & Watson is a bad film. Yet this isn’t as disastrous as you might have been led to believe.

My issue with Suspiria is that it’s neither thrilling, nor scary, nor fun.

[CENSORED] is compiled from clips excised from films imported into Australia from the late ‘50s to the early ‘70s.

There’s no reason Kin couldn’t have used its sci-fi hook to examine the degradation of the American working class.

Arizona has a killer concept for a killer comedy, but despite a promising opening it can’t execute what should’ve been cutting satire.

There’s much to admire about Wim Wenders’ latest film. But unfortunately, Submergence is sunk by its tedious story.

Happy End is another distancing dose of misanthropy from the misanthropic master, Michael Haneke.

Ocean’s Eight might be a heist film, but the real scam here is the film itself.