As an allegory for the United States of America, Ravenous is so fucking perfect that it needed to be a comedy. The idea of imagining early Americans as cannibals granted supernatural powers by feasting on human flesh – the extrapolation to the modern day left to one’s imagination – would’ve been hard to stomach played…
Brooklyn is a chick-flick with credentials. That is to say: a well-acted, beautifully staged period melodrama. The film chronicles the challenges faced by a young woman, Eilis Lacey (Saoirse Ronan), as she journeys from Ireland to the States in search of opportunity. Unquestionably small in scope, Brooklyn shines as it draws from the poignant well of…
One of the biggest surprises of this year’s Oscars’ nominations was Room, which picked up largely-unexpected nods for Best Picture and Best Director. Even Lenny Abrahamson, Room’s director, was surprised by his inclusion on the list (at the expense of Ridley Scott, if the pundits are to be believed). Abrahamson – who broke through with…
Real life doesn’t fit a movie narrative – real life rarely accommodates twists, dramatic speeches, or neat climaxes. In Spotlight, an excellent return to form for writer-director Tom McCarthy, a true story is presented exactly as it (presumably) happened, for better …and sometimes for worse. Spotlight follows four journalists (Mark Ruffalo, Rachel McAdams, Michael Keaton,…
Early in The Hateful Eight, John “The Hangman” Ruth (Kurt Russell) encounters Major Marquis Warren (Samuel L. Jackson), warning him to move slowly – “molasses-like” – while keeping his firearm fixed on the stranger. You could say that the film itself is comparably molasses-like; dense and dark in its substance while deliberately unhurried in its…
Brian De Palma’s films are an acquired taste. That’s especially apparent with Body Double, an uninviting experience for those unfamiliar with the director with plenty to offer those who’ve come around to his distinctive style. As a straightforward (and rather lurid) thriller, it’s somewhat unsatisfactory, hamstrung by its inherent implausibility and its leading man’s anti-charisma.…
“I know what I have to do, but I don’t know if I have the strength.” That quote is spoken by Kylo Ren (Adam Driver) in The Force Awakens, the long-awaited seventh instalment in the Star Wars franchise, but those words could easily have been put into the mouth of almost every prominent character in the…
“You’re nothing in this world.” “War is the only language men listen to.” These quotes perfectly sum up Suffragette – the film and the movement. The film offers audiences a snapshot of the early feminism movement, portraying the violent demonstrations taking place after decades of peaceful protests prove ineffective. We view this era through the…
Creed is a Rocky film, just with a different stance and technique. Like its titular character, Creed is aware of its legacy and honours it while at the same time wanting to make a name for itself. Writer-director Ryan Coogler – best known for Fruitvale Station – demonstrates both a clear admiration for the series and the confidence…
We often see the dehumanising effects of war observed in film; the loss of one’s innocence through unimaginable and uncharacteristic actions or events. However, in such settings, rarely is this gaze cast upon the most intrinsic form of innocence – childhood. Beasts of No Nation follows the transformation – or corruption, rather – of young Agu…
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