Billy Lynn’s Long Halftime Walk (2016)
Ang Lee, known for his recent use of emotive VFX (Life of Pi), has again delivered an aesthetically engaging and emotionally driven film with Billy Lynn’s Long Halftime Walk.
Ang Lee, known for his recent use of emotive VFX (Life of Pi), has again delivered an aesthetically engaging and emotionally driven film with Billy Lynn’s Long Halftime Walk.
Don’t be fooled by the smoke and mirrors – beneath Doctor Strange’s shiny coat of paint is a vanilla origin story.
A uniquely indigenous contribution to Australian art cinema.
Trust Mike Flanagan (Oculus, Hush) to turn a flippin’ board game into a good horror film.
There’s a theory that there are no original stories left, only new ways to tell them. That’s definitely the case for Hell or High Water, an attempt to subvert the well worn cops-and-robbers story that almost succeeds.
A documentary centring on Anthony Weiner’s failed mayoral campaign cuts to the narcissistic root of its subject – and politicians in general.
Fede Alvarez and Jane Levy’s follow-up to Evil Dead offers scares, nasty twists and insight into the twisted underbelly of American in decline.
Roy Andersson’s absurdist, absurdly-named opus A Pigeon Sat On a Branch Reflecting on Existence (the third film in a loose trilogy) is the polar opposite of the Paul-Feig-inspired mode of filmmaking dominating Hollywood comedies.
The Shallows has a simple task: make sharks scary again. And it succeeds admirably, while offering (perhaps unintentionally) interesting commentary on sexualised heroines in horror movies.
Pablo Larrain’s unconventional, dizzying portrait of Pablo Neruda is reminiscent of Luis Buñuel; that’s gotta be a good thing.