Everybody Knows Re-asserts Asghar Farhadi’s Talent for (Melo)drama
Asghar Farhadi is surely one of his generation’s greatest dramaturgists, so the release of a new film of his is invariably cause for excitement.
Happy Death Day 2U (2019)
This is an uneven but thoroughly enjoyable ‘80s-inspired movie – and a surprising upgrade from its predecessor.
Arctic (2018)
Arctic‘s survival thriller builds into an ode to resilience and dogged self-determination.
Foxtrot Explores the Numbing Mundanity of Modern War
Israeli drama Foxtrot evinces a restless creativity that’s occasionally exhausting but often compelling.
A Star is Born is Old-Fashioned Musical Melodrama Done Right…Mostly
The measure of success for a melodrama is simple: does it move you? In that respect, A Star is Born is an unqualified triumph.
Check in to Bad Times at the El Royale for a Good Time at the Movies
Bad Times at the El Royale is the sort of film that’s not supposed to get made anymore: a straight-up genre flick boasting a sizeable budget and A-list stars.
Tom Hardy Elevates Venom’s Superhero Throwback Silliness
Venom’s small-scale idiosyncrasies will surely disappoint comic book fans …but if you’re looking for a goofy film that recalls trashy genre films from the ‘80s, you’re in luck.
The Death of Stalin (2017)
This satire of politician’s grotesque, gymnastic self-interest well and truly hits the mark.
Crazy Rich Asians (2018)
I’m a sucker for a good rom-com, and this certainly is one. Crazy Rich Asians is consistently entertaining, filled with good-looking people and decent jokes.
Skyscraper: A Better Die Hard Sequel Than the Real Ones
Skyscraper is an derivative yet tremendously entertaining action flick, offering nothing new but a whole lot of fun.
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