You probably heard about Banksy’s New York “residency” a year-and-a-half ago. An unassuming old man selling Banksy stencils – worth tens of thousands dollars at least – for a few bucks on the side of the street. The story about the locals charging people to view his graffito. “The response to it would be part…
As its title suggests, Dear White People is a statement as much as a film, tackling modern-day race relations. Justin Simien’s debut feature stages its satirical drama in Winchester University, a fictional American college where residential colleges are divided – and, ultimately, fractured – along race lines. Early on I fretted that its insistence on…
The Fast & Furious franchise’s seventh lap contains few surprises for those familiar with the franchise. Fast & Furious 7 (originally titled just Furious 7) doesn’t deviate from the well-worn path established by its predecessors, delivering the same mix of cars, fights, absurd stunts and bro-y banter that’s sustained the series for the past fourteen…
You don’t have dig particularly deep to find similarities between Andrey Zvyagintsev’s Russian drama Leviathan and Nuri Bilge Ceylan’s Turkish drama Winter Sleep. They were erstwhile competitors across last year’s arthouse awards season; Ceylan took the lead early by picking up the Palme d’Or at Cannes, but Leviathan was more successful in more mainstream awards…
The original French title of Girlhood is Bande de filles – roughly, “girl gang” – and the difference between the two titles is illustrative of the dualism of director Céline Sciamma’s approach to the film. Centring on sixteen year old girl Marieme (Karidja Touré), the film provides an individual-centric portrait of her experience – friendship,…
Comparing David Cronenberg’s Hollywood satire Maps to the Stars with Ari Folman’s Hollywood satire The Congress is an effective demonstration of how originality and quality don’t always go hand-in-hand. Of the two films, The Congress is far and away the most original, draping an overabundance of ideas offer a scaffolding constructed out of equal parts…
Hollywood has never really known what to do with Chris Rock. That’s been increasingly apparent over the last decade or so, with the so-called “the funniest man in America” finding work as either a cartoon zebra in the Madagascar series or as Adam Sandler’s Friend in The Longest Yard, You Don’t Mess with the Zohan…
“If Norwegian kids disappear, there’s always some obnoxious parent out looking for them.” The “Norwegian kid” of In Order of Disappearance is one Ingvar Dickman, an airport employee who meets a grisly end after getting on the wrong side of a gang of drug dealers. The “obnoxious parent” is his father, Nils (Stellan Skarsgård): Citizen…
On the surface, A Most Violent Year is markedly different from Chandor’s first two features – about Wall Street and the ocean, respectively – but it shares with them a disinterest in traditional dramaturgy; these films are political statements first, stories second. Margin Call was an excoriation of self-interested capitalism on the cusp of devastation,…
Rosemary’s Baby is arguably a perfect film; it stands to reason that Stewart Thorndike’s low-budget lesbian riff on Polanski’s classic would fall short of its source material. Her adaptation, Lyle, doesn’t follow Rosemary’s Baby to the letter – the couple is composed of two women, they already have a child when they move into a…
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