Freeheld is an uneven drama that frequently veers from tragedy to drudgery. Which is a shame, since its true story – of homosexual policewoman, Laurel Hester – is both fascinating and vital. Arriving hot on the heels of the legalisation of same-sex marriage in the US, this otherwise unremarkable film represents a missed opportunity. The film chronicles cancer-stricken Hester’s (Julianne Moore) fight…
“You can either do good, or do well.” Such is the backdrop of this British attempt at a zero gadget spy film. Spooks: The Greater Good starts slow, introducing a nice bit of brooding menace via Kit Harrington, followed by Elyes Gabel’s coldly passionate antihero. The first real spycraft is actually quite well done, creating…
Pack your tissues, it’s time for a weepy melodrama where the relationships are bumpy and the illnesses terminal. I feel no regret disclosing that last bit since Miss You Already’s title betrays the unfortunate fate of perky mother-of-two, Milly (Toni Collette). Indeed this film is content rolling out its by-the-numbers plot relying on the performances…
On the surface, Digging For Fire doesn’t diverge significantly from the previous Joe Swanberg flicks I’ve seen. It’s populated by funny, attractive actors (the likes of Brie Larson, Orlando Bloom, Chris Messina, Anna Kendrick and Sam Rockwell) casually the shooting the shit (often in various states of undress). Pretty much everyone is on the boundary…
Ride is a study in contrasts. The most obvious contrast is between its two settings. There’s the fast-paced New York in which the tale begins, where editor Jackie (Helen Hunt, who also wrote and directed the film) and her wannabe-writer son Angelo (Brenton Thwaites) bicker about punctuation over coffees. And then there’s sun-drenched Venice, California;…
Andrei Konchalovksy’s The Postman’s White Nights consciously blurs the line between documentary and fiction, with an introductory title card noting that the characters are primarily played by residents of the rural community of Lake Kenozero. This presumably positions the film as commentary on contemporary Russia. It sort of is; the film’s strongest stretch is its…
“You’re telling me we lost our president like we… lost a set of car keys. This is the most powerful nation in the history of the planet. This is America, and as Vice President of this great nation, I am commanding you to sort this shit out.” That quote gives you a good indication of…
So it turns out I’m not much of an Alex Ross Perry fan. I watched Listen Up Philip, Perry’s third feature, with high expectations. I’d heard positive things about this intelligent indie film, and its cast – Elisabeth Moss, Krysten Ritter, Jonathan Pryce and Jason Schwartzman as the titular Philip, a self-obsessed semi-successful New York…
Indie sensation Me and Earl and the Dying Girl is a proven crowd-pleaser, with Alfonso Gomez-Rejon’s film’s easy, cutesy humour and plethora of classic movie references earning it Audience Awards at Sydney and Sundance. It’s certainly entertaining enough. But the exceedingly twee title also hints at its incessant solipsism, with the “Me” of the title…
It’s probably impossible to make a film about Joan of Arc without at least acknowledging the long shadow cast by Dreyer’s The Passion of Joan of Arc. Luc Besson’s 1999 interpretation steers into that skid; like Dreyer’s film, significant chunks of Joan of Arc: The Messenger are filmed in close-up, but the lens of choice…
ccpopculture 