Inherent Vice is one of those rare examples of cinema where the experience of the audience is entirely aligned with the experience of the film’s protagonist. This achievement should celebrated when found in great horror films, that terrify and alienate you along with their characters, or classics like Goodfellas, which follows sharp-edged cocaine dynamism with…
Particle Fever takes a notoriously inaccessible topic – particle physics and the search for the Higgs boson – and makes it as accessible as possible. Explanations of the Large Hadron Collider, the conflict between models like super-symmetry and the multiverse model and the statistical significance necessary to identify said boson are conveyed with direct explanations…
“It’s all about focus,” Nicky (Will Smith) explains to his willing con artist protégé Jess (Margot Robbie). He’s talking about successful pickpocketing – the way that staring into someone’s eyes will draw their focus to your face rather than your hands, and similar tricks designed to facilitate sleight of hand – but we are expected…
There’s a lot to like about In Bloom, Georgia’s submission for Best Foreign Language Film in last year’s Academy Awards. The storyline pairs the small-scale coming of age story of two girls, Eka (Lika Babluani) and Natia (Mariam Bokeria), with a nuanced interrogation of power in the midst of Georgia’s 1992 civil war. Directors Nana…
It’s strange the memories that stick with you. I saw Purity Ring in concert two years ago, but the structure of their setlist and the sound of their performance elude me. I do remember, though, the fragile papier-mâché lanterns decorating the stage. I remember the audience, enshrouded by half-darkness and glazed with sweat, swaying to…
A Most Violent Year, the third film from Oscar-nominated director J.C. Chandor, has received a generally positive reaction from the critical community, earning 90% on Rotten Tomatoes (if you care about that kinda thing) along with a Best Supporting Actress (Drama) Golden Globe nom for Jessica Chastain. I was certainly in the “generally positive” camp…
Like most punters heading to Soundwave at Brisbane’s RNA Showgrounds this weekend, I made some effort to dress the part. With my carefully-groomed beard and thick-rimmed glasses, I’m neither a metalhead nor a punk, but the combination of a black Refused T-shirt, contact lenses and a relatively unkempt beard served as concession to the hard…
“If Norwegian kids disappear, there’s always some obnoxious parent out looking for them.” The “Norwegian kid” of In Order of Disappearance is one Ingvar Dickman, an airport employee who meets a grisly end after getting on the wrong side of a gang of drug dealers. The “obnoxious parent” is his father, Nils (Stellan Skarsgård): Citizen…
District 9 director Neil Blomkamp kicked up a fuss yesterday when it was reported that his upcoming Alien sequel would break continuity from the last two films of the franchise, Alien3 and Alien: Resurrection. Blomkamp has since stepped back from that assertion – “I’m not trying to undo Alien 3 or Alien: Resurrection, I just…
On the surface, A Most Violent Year is markedly different from Chandor’s first two features – about Wall Street and the ocean, respectively – but it shares with them a disinterest in traditional dramaturgy; these films are political statements first, stories second. Margin Call was an excoriation of self-interested capitalism on the cusp of devastation,…
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