“Truth is like poetry. And most people fucking hate poetry.” The above quote appears roughly midway through The Big Short, Adam McKay’s star-studded, irreverent take on 2008’s global financial crisis. It’s an effective encapsulation of a film that operates as the rare piece of ‘edutainment’ that’s both legitimately educational and entertaining while providing a self-reflexive…
By any ‘objective’ measure, People Places Things has a terrible screenplay. It’s a romantic comedy almost completely bereft of comedy. It centres its entire first act on the challenges of being a single father – with cartoonist/teacher Will (Jemaine Clement) frantically dashing his twin daughters between work and home and school – before jettisoning any…
Paul Feig has a lot to answer for. Judd Apatow too, come to think of it. These two men, who cut their teeth on Freaks and Geeks, have cast the mould for modern American comedy: in Apatow’s case, extended tales about arrested adulthood, in Feig’s case, putting women front-and-centre of the kind of crude comedies…
I suppose Peanuts, the comic strip, has dimmed in the public consciousness since Schulz’s death in 2000. As a kid’s IP, the ageing Peanuts brand has a lot to do in a world with Minions and Frozen. I left the theatre mostly satisfied; this is the Peanuts you remember – sweet, nostalgic and populated by…
As befitting the blood pact all movie bloggers must sign upon founding their website, what follows is a list of my favourite films of 2015. It’s been a strong year at the cinema, even if I felt it was a slight step down from last year (specifically, I didn’t see a single new film I…
More writing for Junkee! Here I make the uncontestable argument that Finn (John Boyega) and Poe Dameron (Oscar Isaac) should really hook up in the next Star Wars movie. Read the case for Finn/Poe here!
It took me until the third episode of Ghost in the Shell: Arise (the first instalment of which I reviewed precisely one year ago) to realise that this was a prequel, rather than an alternate universe take à la GITS:SAC. That’s as much a reflection of my obliviousness as it is Arise’s similarities to its…
Watching David O. Russell’s Joy is akin to watching his career: abundant potential dribbling sadly away. The first half hour or so of the film, a biopic of Joy Mangano, Miracle Mop inventor (Jennifer Lawrence), takes the kind of stuff usually brushed over in these films – the anxieties of running household, familial tensions, financial…
Recently I’ve realised that I’m drawn to documentaries that are recognisant of their own failure – that is, the failure of the documentary as a factual medium. Which means that Listen to Me, Marlon, a biographical doco on Marlon Brando told largely through his own hitherto-unheard personal recordings, answering machine messages and the like, was…
Read a synopsis of either of Creed or Magic Mike XXL, two of 2015’s best films, and sight unseen it might hard to understand the excellence of either film. The former film, after all, follows a fairly stock Hollywood formula, hitting its Best Picture-winning predecessor’s plot points beat for beat, while Magic Mike XXL is…
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