Goldstone, Ivan Sen’s sequel to 2013’s Mystery Road, begins with sepia-toned photographs of Australia’s past. White families gathered around dining room tables. Gold miners dusted with grime. Indigenous children bedecked in white frocks. A procession of Chinese immigrants walking through the centre of a mining town. These photographs simultaneously hint at Goldstone’s allegorical intent as…
I believe video games can be adapted into great movies. There’s a wealth of interesting stories to be extracted from the industry. Warcraft is one such franchise ripe for cinematic exploitation, but alas, in the name of ‘world building,’ director Duncan Jones has simply tried to cram in too many stories at once. Would it be…
The filmmakers behind Patchwork – writer/director Tyler MacIntyre and his co-writer Chris Lee Hill – have an obvious affection for classic horror cinema. It’s not merely the way their story remixes the familiar Frankenstein mythology into a three-brained she-zombie (Tori Stolper/Tracey Fairaway/Maria Blasucci), complete with an 8-bit cameo of Frankenstein’s monster. But from the Maniac homage…
Money Monster arrives amidst a groundswell of anger towards corporate greed and economic fraud in America. It’s a timely film that benefits from its social relevancy, but cannot sharpen its message to truly resonate with its audience on the same wavelength as similar films in recent years, like The Big Short. Directed by Jodie Foster…
Along with another one of last year’s directorial debuts – John Magary’s The Mend – Josh Mond’s James White signals a new direction for New York indie cinema. Inspired by the improvisational energy of early Cassavettes and Jarmusch’s calculated coolness, James White offers an unconventional coming-of-age narrative that incorporates tragedy without allowing it to sublimate…
I was a teenage Evangelion tragic. You don’t need to know all the details – we’ve all read enough white dudes futilely strive to define their cultural background through television/movies (see: every Star Wars review) – but my fandom consumed me for a while there. I read all the fan theories. Found all the fan…
New Zealand writer-director-actor Taika Waititi has always had a quirky comedic streak. With his latest, Hunt for the Wilderpeople, he’s closest to a defining style that can easily translate across a variety of audiences. That might be why he’s been selected to helm the next instalment of Marvel’s Thor franchise. His first feature film Eagle…
Read a synopsis of A Second Chance and you might go in expecting an especially spicy episode of SVU. The story’s packed with crime, parental neglect and a particularly potent package of twists. But what prevents this from being a feature-length Danish Law & Order episode are the steady hands of director Suzanne Bier. Perhaps…
My estimable colleague Jono Winter recently posted a favourable – if tentatively favourable – review of X-Men: Apocalypse on this site. As a steadfast fan of (most) of the X-Men films, I found time in my overseas holiday to fit in a (Croatian-subtitled) screening of the film and, regrettably, I can’t concur with his positive…
Set amongst the iconic streets of New York, low-budget independent film, Time Out of Mind is a two hour social commentary on the life of a homeless man. It centres on George Hammond (Richard Gere), whose name we don’t learn until over halfway through the film. No ID, no home, no immediate contacts; George is truly…
ccpopculture 