Pete’s Dragon (2016)
The simplicity of Pete’s Dragon’s story and themes alike leaves it desperately reliant on fostering a sense of childlike wonder that it can’t hold onto.
The simplicity of Pete’s Dragon’s story and themes alike leaves it desperately reliant on fostering a sense of childlike wonder that it can’t hold onto.
Fede Alvarez and Jane Levy’s follow-up to Evil Dead offers scares, nasty twists and insight into the twisted underbelly of American in decline.
Thanks to RLJ Entertainment, ccpopculture has 5 DVD copies of Icelandic TV Series Trapped, out September 7th, to give away.
Your dad’s favourite movie of 2016.
Roy Andersson’s absurdist, absurdly-named opus A Pigeon Sat On a Branch Reflecting on Existence (the third film in a loose trilogy) is the polar opposite of the Paul-Feig-inspired mode of filmmaking dominating Hollywood comedies.
On anime, vampires, and the physicality of transgressive queerness (except, maybe, not).
In a belated effort to tap into the success of his hit TV show The Office, Ricky Gervais risks unflattering comparisons with his washed up titular character.
During my childhood, I well and truly slept on Samurai Pizza Cats. I imagined to be just another half-assed Teenage Mutant Ninja Turtles clone and paid it no mind. Bad luck, teen me; that’s hours of weekday afternoons I was missing out.
There’s no particular reason why this generic German crime/romance-thriller needs to be executed in a single take, aside from it making good marketing copy. It sure doesn’t make for a good movie.
The Shallows has a simple task: make sharks scary again. And it succeeds admirably, while offering (perhaps unintentionally) interesting commentary on sexualised heroines in horror movies.