Julieta (2016)
Pedro Almodóvar’s latest mutes its melodramatic tendencies to contrast the vibrancy of youth with the mounting regrets of aging.
Pedro Almodóvar’s latest mutes its melodramatic tendencies to contrast the vibrancy of youth with the mounting regrets of aging.
The bluntly-titled Halloween 4: The Return of Michael Myers pairs competent scares with a surprisingly robust subtext.
Thanks to Universal Pictures Australia, ccpopculture has 10 double passes to give away to Ouija: Origin of Evil, releasing in Australian cinemas Thursday October 20th.
Some say Tate Taylor’s latest directorial effort is a return to the days of Hitchcock thrillers but sadly The Girl on the Train is riddled with cinematic mishaps that distract from what could be a great film.
An unfairly maligned horror classic? Or just kinda shitty? (It’s the second one.)
Steven Universe is more than an expression of identity politics – it’s a damn good show.
I’ll give Psychic School Wars this: it’s certainly very pretty.
“Traitor, or hero?” is the question posed by Snowden’s poster, though Oliver Stone’s retelling of its titular character’s story is so firmly in the Hero camp that you wonder why they bothered asking at all.
This decades-late sequel to The Blair Witch Project demonstrates director Adam Wingard’s talent behind the camera …along with his reluctance to innovate.
A documentary centring on Anthony Weiner’s failed mayoral campaign cuts to the narcissistic root of its subject – and politicians in general.