Fashion Will Eat Itself: The Empty Stylism of The Neon Demon
We’re so pretty, oh so pretty … vacant.
xXx: Return of Xander Cage (2017)
A xXx movie doesn’t make a whole lot of sense in 2017, but maybe it doesn’t need to.
Giveaway: Win Double Passes to Split [COMPLETED]
Thanks to Universal Pictures Australia, ccpopculture has 10 double passes to give away to Split, releasing in Australian cinemas Thursday January 26th.
Portman and Larraín Interrogate the Myth of ‘Camelot’ in Jackie
Good or bad, biopics are a form of public relations: a way of reinforcing, challenging or establishing the public perception of their subject. Jackie is a biopic about how those PR decisions are made.
The Best Films of 2016
My favourite films of a rough year.
The Edge of Seventeen (2016)
Teen self-sabotage: don’t do it. (Do go see The Edge of Seventeen, though. It’s great.)
Expectation vs Reality: Marketing Collateral Beauty and Passengers
There’s a gulf of difference between the trailers for Collateral Beauty and Passengers and the films themselves…or is there?
City of Stars: La La Land’s Exhilarating Exploration of Art & Love
A soaring Hollywood fantasy about art, romance and nostalgia.
Assassin’s Creed (2016)
Assassin’s Creed is a disaster: a morass of muddled imagery, incoherent plotting and dreadful screenwriting.
The Intertwining Identities of Lion
Lion is a tearjerker, but by the time it wants you to cry, it’s earned the tears.
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