The Man (2017)
The aching, vacant tone that director Charlotte Sieling adopts here feels like a distant echo of Buñuel’s satire.
Come on Baby Driver, Don’t Fall Down on Me Now
Baby Driver has been widely compared to musicals; but this ain’t no musical. This is a mixtape movie.
The Beguiled (2017)
The Beguiled succeeds as an arch comedy that savagely satirises its self-obsessed ladies of leisure.
Eight Reasons to Love Spider-Man: Homecoming
It feels like a surprise that Spider-Man: Homecoming is as good as it is.
First Girl I Loved (2016)
This lesbian romance looks very ‘indie’ – gauzy light streaming into the camera, flashes of Instagram expressionism – but avoids cliché.
It Comes at Night Exploits the Terror of the Unknown
It Comes at Night unnerves its audience through its destabilising insistence on avoiding explanation.
One Punch Man
One Punch Man is a pitch perfect parody of a genre about which I am almost entirely unfamiliar.
Love and Time Travel (2016)
Director Hayden J. Weal maximises the material with an impressive ability to manipulate and surprise his audience.
Giveaway: Win Double Passes to It Comes At Night [COMPLETED]
Thanks to Roadshow Films Australia, ccpopculture has 5 double passes to give away to It Comes at Night, releasing in Australian cinemas Thursday July 6th.
Valkyrie Drive: Mermaid Blurs the Line Between Fanservice and Hentai
How on earth do you review Valkyrie Drive: Mermaid without coming across as either a leering perve or a sneering prude?
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