‘Logan Lucky’ Is A Slick Heist Film, But Does It Have Anything More To Say?
Steven Soderbergh is back, baby!
The Boys (1998)
The Boys is a disturbingly putrid portrait of Australian masculinity at its worst.
Giveaway: Win Double Passes to mother! [COMPLETED]
Thanks to Paramount Pictures, ccpopculture has 10 double passes to give away to mother!, releasing in Australian cinemas September 14th.
BIFF 2017: Song to Song
Terrence Malick’s latest feature, Song to Song, clarifies the experimentation of his previous two films.
47 Metres Down (2017)
The middle half of the film is genuinely gripping and surprising, surpassing any budgetary constraints.
BIFF 2017: The Square
The thesis of The Square is simple: humans are selfish motherfuckers who only act benevolently because of the pressure of polite society.
Strictly Ballroom: Cheat Sheet
A guide to Baz Luhrmann’s 1992 Australian cinema landmark, which celebrates its 25th anniversary this week.
The Red Turtle (2016)
The Red Turtle is imbued with the resonant power of a creation myth, thanks to the simple yet expressive animation, the naturalistic sound effects, the swell of the vast ocean.
Annabelle: Creation Steadies the Conjuring Franchise With Some Serious Scares
Annabelle Creation is nothing particularly original, sure, but neither was The Conjuring. What it does deliver is judiciously-executed scares and a pervasive atmosphere of dread.
Black Eyes and Bare Breasts: Atomic Blonde and the Aesthetics of the Body
Charlize Theron plays a female James Bond – so why is she introduced in the nude?
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