Ali’s Wedding (2017)
Ali’s Wedding is a delight.
Gate – Season 1 and 2
Gate is an incredibly jarring anime experience.
Hyper-Masculinity by Way of Michael Mann in Den of Thieves
Den of Thieves drains itself of any drop of sympathetic humanity to leave a crude beast impressive and intimidating in its muscularity.
Phantom Thread (2017)
Phantom Thread only unveils its true nature in its final few minutes.
Mountain (2017)
Mountain lets its majestic cinematography distract from its attempted critique.
I, Tonya Comes in Second Place to Scorsese
I, Tonya might be a love letter to disgraced former ice skater Tonya Harding, but it’s also a love letter to Martin Scorsese.
Swinging Safari (2018)
Swinging Safari offers a convincing impersonation of an excoriation of Aussie culture in the moment, it falls apart like an overcooked pavlova if you poke it a little.
There’s Something Magical About The Shape of Water
The Shape of Water is a flamboyant fantasy yet deeply human; old-fashioned yet profoundly modern; filmed with a palate preferring murky, oceanic greens yet somehow bursting with light and life.
The Commuter (2018)
Like Non-Stop, The Commuter twists absurd action around an Agatha-Christie-esque closed-room mystery.
Stop the Presses: Spielberg, Hanks and Streep Unite for The Post
The Post’s images are undeniably potent, but in that big, obvious way that steamrolls the complexity of the issues.
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