Submergence (2017)
There’s much to admire about Wim Wenders’ latest film. But unfortunately, Submergence is sunk by its tedious story.
There’s much to admire about Wim Wenders’ latest film. But unfortunately, Submergence is sunk by its tedious story.
What turned me around on The Other Side of Hopewas how it married black comedy conventions with an empathetic, humanistic approach.
In 2018, action is as strong as ever. But the boundaries of the genre have been redefined in the wake of the superhero genre’s dominance over the box office.
Consider picking Along Came the Devil up for your next bad movie night, if that’s something you’re into.
Upgrade is a clever genre mash-up. The film merges the tropes of the traditional revenge flick with speculative sci-fi,
at once indulging in genre thrills and commenting upon them.
I love a lot about The Breaker Upperers.
Unfortunately, I don’t love the film itself.
In The Equalizer 2, Denzel Washington plays a moralising, monkish superhero.
Skyscraper is an derivative yet tremendously entertaining action flick, offering nothing new but a whole lot of fun.
Happy End is another distancing dose of misanthropy from the misanthropic master, Michael Haneke.
I suppose it was inevitable. At some point, there was going to be a misfire in Marvel Studios’ Phase Three. Just as it wraps up, here it is: Ant-Man and the Wasp.