The Farewell (2019)
The Farewell is well-crafted, undeniably, but it’s not for me.
The Punishing but Captivating Dragged Across Concrete Transcends Its Controversies
Whatever the controversies surrounding this film, you can’t deny the captivating atmosphere that Zahler has crafted.
Burn (2019)
There’s a spark of originality in Burn, though it’s near smothered by its more-than-familiar elements.
The Nightingale (2018)
The Nightingale is a spare, brutal portrait of the realities of Australian colonialism: murder, genocide and rape.
Midsommar’s Daytime Horror is Beautiful but Ultimately Underwhelming
There’s a glimmer of a good, even great, film lurking within Midsommar, even if it’s ultimately disappointing.
The Lion King Remake Corrodes Its Legacy
The Lion King adds nothing. All it does is subtract.
Booksmart (2019)
It might only be a minor adjustment to shift a story traditionally centred on teen boys to teen girls, but it makes all the difference.
Stuber: Nanjiani Makes this Rideshare Buddy Cop Comedy’s Flaws Easy to Forgive
There’s a gem of a great idea at the heart of Stuber. Specifically, shoving Kumail Nanjiani in the midst of an ‘80s buddy cop film.
Spider-Man: Far From Home (2019)
Far From Home returns to the easy comedic tone that buoyed the last Spider-Man outing.
Giveaway: Win Double Passes to Crawl
Thanks to Paramount Pictures Australia, ccpopculture has 5 double passes to give away to Crawl, releasing in Australian cinemas Thursday July 11th.
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