Green Book Pairs a Genial Road Movie with a Misguided View of Racism
Green Book is a film of two halves, and one of those halves is only controversial as a Best Picture contender because of its banality.
Green Book is a film of two halves, and one of those halves is only controversial as a Best Picture contender because of its banality.
A standard superhero showdown isn’t what Shyamalan has in mind for Glass.
While Eighth Grade is a reminder that I don’t want to relive eighth grade, its success will hopefully herald more genuinely contemporary coming-of-age films.
There’s no question Holmes & Watson is a bad film. Yet this isn’t as disastrous as you might have been led to believe.
This is a different kind of New York film.
Aquaman really needed to be another Wonder Woman.
It’s not.
Vice makes contemporary politics fun and funny while underlining its monstrous corruption.
Bumblebee eschews the Escherian excess and all-out warfare of Michael Bay’s films for clean compositions and comparative spatial clarity.
This is an underdog story with heart, as entertaining (if not as well-crafted) as Coogler’s predecessor.
Forget nu-Suspiria; Climax is the film of 2018 that truly gives itself over to the dance.