Hot Fuzz is a modern classic of the comedy genre. It’s the kind of film we’ll point to decades from now with a toothless grin and say, “See! They don’t make ‘em like they used to!” It’s widely loved and yet woefully underrated; this can be blamed on the marketing, which frames the film as…
It’s August, 2013 and I’m watching Memento for the seventh time. Next to me is my partner’s sister. We’re about fifteen minutes into the film, and she comments, “Oh, so it’s like it’s running backwards?” It’s funny how the context surrounding a film can change. Back when Memento was first released, it was “the backwards…
Breaking Bad is a series unafraid to mine its past, delving into earlier seasons for images and icons and details. Small moments pulsate with added emotion, layers of meaning conveyed through a tarantula creeping its way across the desert floor, or a pack of cigarettes distorting within a clenched fist. Even a half-glimpsed Hello Kitty…
The World’s End is a success on a whole bunch of metrics. As a conclusion to the loose “Cornetto trilogy” alongside Shaun of the Dead and Hot Fuzz, it’s as well-written, acted and directed as you’d expect; Edgar Wright’s kinetic, eclectic style ensures the film is a treat for the eyes. Each of the earlier…
There’s an ever-present sense of tension in the final season of a good drama, and it’s not necessarily related to fear over the plight of the show’s protagonists. The tension is born of fear that an otherwise great show might not stick the landing; that it might fumble important storylines, or simply run out of…
It’s hard to deny its cultural import of Deep Throat, a porno that managed to achieve the kind of cultural saturation normally reserved for towering icons like The Godfather or Citizen Kane – by which I mean it’s been referenced and parodied so many times, you don’t need to have seen it to be familiar…
Breaking Bad’s final season looms on the horizon; eight episodes before another television series gets to take the crown of “best show airing on TV.” Which show takes that title is very much up for debate, but the debate I’m more interested in looks at Breaking Bad itself: which season of the show is its…
Before Midnight is arguably the best third instalment of a film series of all time, and a damn good contender for best film of 2013 so far while we’re at it. Its predecessors, Before Sunrise and Before Sunset, set a perilously high standard and it’s cleared comfortably. It’s of a piece with those two films…
There’s a certain smell to Splendour in the Grass. There’s that earthy bush smell – part grass, part manure, a distant hint of the sea, the scent of fresh mud baking in the late afternoon sun. There’s that people smell – that warm sweat pong that’s so overwhelming it’s almost pleasant, the shared burden of…
The Conjuring feels very old-fashioned. That’s not surprising, given the 1971 setting and accompanying huge sideburns, but (aside from some obvious J-horror influences) this is a film that could have been produced decades ago, with the personality and pacing of classic horror. Director James Wan has commendable patience, slowly developing an ominous atmosphere before breaking…
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