A decade on, Alpha Dog is most notable for establishing both Justin Timberlake and Anton Yelchin as respectable actors. This plucked-from-the-headlines crime picture put Timberlake in the role of a charismatic kidnapper and Yelchin as his fifteen-year-old abductee, and they both do great work. It’s worth remembering, though, that Alpha Dog also stands as a…
Solomon Northup’s autobiography, Twelve Years a Slave, was a bestseller in its own time, but like many others I’d never heard of this account of Northup’s gruelling ordeal in slavery until it was adapted into Steve McQueen’s masterpiece 12 Years a Slave. (McQueen’s film is actually the second adaptation of the book – television movie…
There must be some kind of kismet in the air this week, as right after wrapping my first – long-delayed – viewing of landmark series Twin Peaks and its darkly terrifying prequel, Fire Walk with Me, I woke to the news of Lynch confirming a nine episode continuation of the show (and I mean I…
As a long-time David Fincher devotee, the first half hour of Gone Girl represents the first time I’ve doubted the director (full disclosure: I’ve never seen Benjamin Button). The film intercuts between Nick Dunne – writer, bar-owner, Ben Affleck – and his wife Amy – writer, actual-owner-of-the-bar, Rosamund Pike – through the past and present.…
Where have all the superhero origin stories gone? Turns out they’ve transformed – in this case into a cloud of bats titled Dracula Untold. Like Noah, Maleficent and Hercules before him, Count Dracula gets the origin story treatment, hewing closer than ever to the ever-popular superhero genre. The armour worn by Vlad (Luke Evans) –…
Listening to Tomorrow’s Modern Boxes – the second solo album from Radiohead frontman Thom Yorke, which was tossed into the internet without preamble on Friday – for the first time, I experienced a moment of aural disconnect that’s characteristic of the millennial music experience. I’d received a message on the phone on which I was…
The opening film of GOMA’s Forbidden Hollywood program might as well have been Nietzschean Superwoman, following as it does the “adventures” of Lily (Barbara Stanwyck) as she sleeps her way up the big city corporate ladder, following the advice of her Nietzsche-obsessed cobbler (Alphonse Ethier). As you’d expect from a film over eight decades old,…
While I may have just written an article criticising a certain Australian actor/director for his advocacy of cultural cringe, I must admit I’m susceptible to the same kind of cringe when talking about my city of residence: Brisbane. I’m pretty vocal about the perceived cultural black hole that is Queensland’s capital, a city that’s seemingly…
The Double is a thoroughly unpleasant cinematic experience. Whether or not that makes it a bad flm is a more complicated subject. Amongst the most affective films I’ve seen are films mired in misery – Requiem for a Dream or Irréversible – so I’m not prepared to dismiss a movie simply because it can’t be…
“[Nosferatu] is not a political figure, not even in the allegorical way in which the diabolical Dr. Caligari can be seen to represent oppressive political authority. Rather, he is both the agent and the icon of death, the natural cause and the supernatural symbol, metonymy combined with metaphor, at once elemental and unearthly.” – Gilberto…
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