Hollywood has never really known what to do with Chris Rock. That’s been increasingly apparent over the last decade or so, with the so-called “the funniest man in America” finding work as either a cartoon zebra in the Madagascar series or as Adam Sandler’s Friend in The Longest Yard, You Don’t Mess with the Zohan…
There’s something incredibly endearing about Infinitely Polar Bear’s unostentatious simplicity. Constructed on familiar indie tropes – a hand-made, whimsical aesthetic, a period setting, a family unit defined equally by conflict and closeness – the film sidesteps cliché to conjure an utterly charming experience. Infinitely Polar Bear’s impossibly twee title is paraphrased from Faith Stuart’s (Ashley…
Inherent Vice is one of those rare examples of cinema where the experience of the audience is entirely aligned with the experience of the film’s protagonist. This achievement should celebrated when found in great horror films, that terrify and alienate you along with their characters, or classics like Goodfellas, which follows sharp-edged cocaine dynamism with…
“It’s all about focus,” Nicky (Will Smith) explains to his willing con artist protégé Jess (Margot Robbie). He’s talking about successful pickpocketing – the way that staring into someone’s eyes will draw their focus to your face rather than your hands, and similar tricks designed to facilitate sleight of hand – but we are expected…
It’s strange the memories that stick with you. I saw Purity Ring in concert two years ago, but the structure of their setlist and the sound of their performance elude me. I do remember, though, the fragile papier-mâché lanterns decorating the stage. I remember the audience, enshrouded by half-darkness and glazed with sweat, swaying to…
Like most punters heading to Soundwave at Brisbane’s RNA Showgrounds this weekend, I made some effort to dress the part. With my carefully-groomed beard and thick-rimmed glasses, I’m neither a metalhead nor a punk, but the combination of a black Refused T-shirt, contact lenses and a relatively unkempt beard served as concession to the hard…
“If Norwegian kids disappear, there’s always some obnoxious parent out looking for them.” The “Norwegian kid” of In Order of Disappearance is one Ingvar Dickman, an airport employee who meets a grisly end after getting on the wrong side of a gang of drug dealers. The “obnoxious parent” is his father, Nils (Stellan Skarsgård): Citizen…
On the surface, A Most Violent Year is markedly different from Chandor’s first two features – about Wall Street and the ocean, respectively – but it shares with them a disinterest in traditional dramaturgy; these films are political statements first, stories second. Margin Call was an excoriation of self-interested capitalism on the cusp of devastation,…
You don’t have to be an aficionado of science fiction to recognise that the Wachowski’s latest production, Jupiter Ascending, draws inspiration from countless sci-fi forebears. Oh, sure, it’s an “original” property, but as with the Wachowskis’ output from The Matrix and beyond, it’s an unabashed pastiche. Jupiter Ascending’s setting is classic space opera, galaxies ruled…
The Gambler has earned its fair share of criticism for being yet another film about the problems of a rich white dude. That’s more of an observation than a criticism, since the film is interrogating the idea of how one can deliberately erode this privilege. A fairer remark would be to note that, unfortunately, The…
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