Pete’s Dragon (2016)
The simplicity of Pete’s Dragon’s story and themes alike leaves it desperately reliant on fostering a sense of childlike wonder that it can’t hold onto.
The simplicity of Pete’s Dragon’s story and themes alike leaves it desperately reliant on fostering a sense of childlike wonder that it can’t hold onto.
Fede Alvarez and Jane Levy’s follow-up to Evil Dead offers scares, nasty twists and insight into the twisted underbelly of American in decline.
On anime, vampires, and the physicality of transgressive queerness (except, maybe, not).
There’s no particular reason why this generic German crime/romance-thriller needs to be executed in a single take, aside from it making good marketing copy. It sure doesn’t make for a good movie.
The Shallows has a simple task: make sharks scary again. And it succeeds admirably, while offering (perhaps unintentionally) interesting commentary on sexualised heroines in horror movies.
If you can stomach Sausage Party’s dire string of lazy racial caricatures and innuendo for an hour, the final sausage in the chain is pretty tasty.
If Netflix is the future of television, then TV’s future might look a lot like its past.
Suicide Squad is a feature length trailer. It’s structured like a videogame and plotted like a D&D campaign where everyone’s roleplaying chaotic evil. Anyway, I kinda liked it.
The third instalment in the Trek reboot embraces its inherent whimsicality. However, the narrative is all too familiar, borrowing numerous tropes from similar films in the sci-fi genre.
Love & Friendship – Whit Stillman’s spin on Jane Austen’s novella Lady Susan – is a deftly-executed delight, a lilting melody of acerbic one liners and charming repartee.