Xavier Dolan’s first two features seem like they needed to be made by a young director. I Killed My Mother and Heartbeats each feature Dolan as lead actor; the former examining his character’s tense relationship with his mother, the latter instead positioning him at the vertex of a similarly tense love triangle. I doubt an…
As an introduction to a film series that’s still going fourteen years later, X-Men did everything it needed to. Specifically: be an adequate film with an amazing cast. There’s not much to X-Men. It’s more like a feature length television pilot than a complete movie, spicing up its introduction to this world of superpowered mutants…
Lars von Trier identifies Barry Lyndon as an influence on his 1993 experimental film, Dogville; his choice to break his film up into chapters was inspired by Kubrick’s film, as was his use of a detached, ironical narrator (John Hurt). The films have other similarities – a three hour runtime and a protagonist (Ryan O’Neal…
“Why do people watch films about Nazis? To see power and sadism! We can do that! We can make something even more sadistic.” – Anwar Congo The Act of Killing, one of the best films of 2013 – and certainly its most confronting – has been the target of significant criticism recently (A.J. Schnack’s article…
The similarities between Adventureland and The Perks of Being a Wallflower are abundant and easily apparent. Each follows an adolescent male on the verge of adulthood – James (Jesse Eisenberg) and Charlie (Logan Lerman) respectively – who aspires to be a successful writer. Each combine the traditional “nerdy” traits of introspection, intelligence and awkwardness with…
The Graduate and Harold and Maude have a lot in common. Each tell stories about a May-December romance, with the male the younger partner (still a rarity in mainstream films), but are more interested in interrogating bourgeois malaise. They’re both satires laced with black comedy, but each has a real sadness at the core. Folk…
You don’t have to look at a calendar to recognise that it’s Halloween: I don’t know about you, but the trickle of horror reviews and features on my WordPress Reader has become a flood over the last week or so. Any regular readers of ccpopculture know that horror is a regular feature here, but I…
As provocation, it’s hard to deny the success of Tom Six’s Human Centipede series (which awaits its final segment’s release next year). In a genre defined by mimicry and repetition, the horror concept that launched these films has clearly resonated as a fresh, frightening notion. The idea of a “human centipede,” human victims grafted together…
At the age of sixteen, I came into the possession of a Blockbuster card with the video rental store only a short bike ride from home. I used school holidays to forage for the grittiest-looking R-rated video tapes around. My choices were, admittedly, often motivated by a desire for sex and nudity, but the rewards…
Halloween may not been the first masked killer movie (arriving four years after Leatherface), but the implacable Michael Myers’ shadow stretches long across the genre; establishing many significant tropes (the killer is invulnerable until he is unmasked. A perfunctory backstory that doesn’t disguise how the masked man – it’s always a man – stands in…
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