Monster Fest: The Furies (2019)
There’s nothing especially original about neo-slasher The Furies, but its purity sets it apart.
After the Wedding (2019)
This is mostly an excuse for Michelle Williams and Julianne Moore to flex their acting muscles.
Blinded by the Light (2019)
At its best, Blinded by the Light is an encapsulation of the power of music.
BIFF: Ghost Town Anthology (2019)
Ghost Town Anthology obliquely explores the sliver of seflishness at the core of grief.
Gemini Man (2019)
There’s no big surprises here, but there’s enough spycraft and action sequences set against stunning backdrops to forgive the pedestrian plot.
Good Boys (2019)
Gotta give Good Boys this – it’s one got one hell of a hook.
The Farewell (2019)
The Farewell is well-crafted, undeniably, but it’s not for me.
