With It: Chapter Two, Andy Muschetti Captures the Weird Resonance of Stephen King’s Novel

You might not like It: Chapter Two. But I loved it.

The Farewell (2019)

The Farewell is well-crafted, undeniably, but it’s not for me.

Whatever the controversies surrounding this film, you can’t deny the captivating atmosphere that Zahler has crafted.

There’s a spark of originality in Burn, though it’s near smothered by its more-than-familiar elements.

The Nightingale is a spare, brutal portrait of the realities of Australian colonialism: murder, genocide and rape.

There’s a glimmer of a good, even great, film lurking within Midsommar, even if it’s ultimately disappointing.

The Lion King adds nothing. All it does is subtract.

It might only be a minor adjustment to shift a story traditionally centred on teen boys to teen girls, but it makes all the difference.

There’s a gem of a great idea at the heart of Stuber. Specifically, shoving Kumail Nanjiani in the midst of an ‘80s buddy cop film.

Far From Home returns to the easy comedic tone that buoyed the last Spider-Man outing.